A half bar fill that ends on a flam, making a nice lead into the next section of music. This is also a nice ending for a longer fill, or a way to add in a short break.
A set of free fill construction lessons based around a set sticking.
A half bar fill that ends on a flam, making a nice lead into the next section of music. This is also a nice ending for a longer fill, or a way to add in a short break.
Create fills by orchestrating the right hand from the 'R L L F' exercise.
A half bar fill that ends on a flam, making a nice lead into the next section of music. This is also a nice ending for a longer fill, or a way to add in a short break.
Use the idea of imitation to construct fills from this level 3 fill construction shape.
A fill building block idea where the familiar RLLF shape is added but half a beat from where you are comfortable with.
Create fills by doubling the speed and orchestrating the right hand of the original 'R L L F' exercise.
Create fills by orchestrating the 'R L L F' exercise around the kit over eighth note triplets.
Create fills by orchestrating the right hand from the 'R L L F' exercise.
Creating fills in the time signature of 6/8 using a syncopated version of the 'R L L F' exercise.
Create fills by orchestrating the right hand from the 'R L L F' exercise played in the time signature of 6/8.
Create fills by throwing one occurance of the 'RLLF' movement in at the end of a 6/8 fill.
A 6/8 fill using a simple orchestration of the given sticking pattern.
A syncopated 4/4 fill using a simple orchestration of the given sticking pattern.
A syncopated 4/4 fill using a simple orchestration of the given sticking pattern.