Applying this triplet sticking to a new time signature.

Accenting runs of four strokes in a swiss army triplet.

Accenting left hands in a swiss army triplet.

Applying this triplet sticking to a new time signature.

A triplet orchestration exercise where an orchestrated accent is added on every beat of the bear.

Accenting right hands in a single stroke triplet.

Accenting the third stroke in a swiss army triplet.

Accenting the second stroke in a swiss army triplet.

Accenting numbered counts in a single stroke triplet.

An orchestration that involves planting the left hand on the snare.

An orchestration that involves planting the right hand on the floor tom.

A triplet orchestration exercise where the left hand moves around the kit whilst the right hand stays on the snare. This involves some cross overs!

A triplet orchestration exercise where the right hand moves around the kit whilst the left hand stays on the snare.

A triplet orchestration exercise where an orchestrated accent is added on every beat of the bear.

A syncopated triplet orchestration exercise where the voicing changes in odd places.

A syncopated triplet orchestration exercise where the voicing changes every second strike.

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A simple triplet orchestration exercise where the voicing changes on every beat.

A simple triplet orchestration exercise where the voicing changes on every beat.

A very straight forward orchestration of the swiss army triplet designed to get your hands moving around the kit.

Creating some slightly more musical sounding feet patterns under a swiss army triplet.

Adding eighth note feet ostinatos using a swung rhythm to the swiss army triplet.

An eighth note triplet based foot rhythm.

A triplet based foot rhythm.

Adding quarter note feet ostinatos to the swiss army triplet as eighth note triplets.

Adding mini note feet ostinatos to the swiss army triplet as eighth note triplets.

A triplet sticking that combines unison and double strokes.