A rudiment that combines single and double strokes.

Some exercises where simple feet patterns have been added under a standard paradiddle played as 8th notes.

Developing the sixteenth note snare rudiment by adding the feet as various note values.

Creating some slightly more musical sounding feet patterns under a sixteenth note paradiddle.

Building foot strength and stamina as well as a new rhythmic idea for the feet.

A very straight forward orchestration of the paradiddle designed to give the rudiment a 'melody'. A very useful lesson if you are struggling with the rudiment.

Creating some simple orchestrations that move around the kit in a set grouping.

Creating more simple orchestrations that move around the kit in a set grouping.

Creating more simple orchestrations that move around the kit in a set grouping.

A more intricate paradiddle orchestration idea that involves basing rolls around cymbals rather than drums.

Every numbered count will be moved to a different voice while all others remain on the snare. Great for building your ability to dart around the kit.

Each single stroke will be moved to a different voice while all others remain on the snare. Great for building your ability to dart around the kit.

Each double stroke will be moved to a different voice while all others remain on the snare. Great for building your ability to dart around the kit.

A lesson on adding single stroke accents to paradiddles.

An interesting alternative to orchestrating the paradiddle in straight 'blocks'.

A lesson on adding crotchet accents to paradiddles.

A lesson on adding 'e' count accents to paradiddles.

A lesson on adding '+' count accents to paradiddles.

A lesson on adding 'a' count accents to paradiddles.

A lesson on adding double stroke accents to paradiddles.

A lesson on accemtomg right hand strokes in a paradiddles.

Applying this simple rudiment sticking within the new time signature.

A lesson on accenting left hand strokes in a paradiddles.

Accenting blocks of four strokes in a paradiddle.

Switching this basic rudiment sticking to the time signature of 5/4.

Applying this simple eight note triplet sticking within the new time signature.

Applying the standard rudiment sticking in an inappropriate compound time signature.