Sticking For The Paradiddle Diddle In 3/4 Applying the paradiddle triplet sticking within the new time signature.
Sticking For The Reverse Triplet A triplet sticking that is a double followed by a single, the mirror of the standard triplet.
Sticking For The Single Stroke 4 As Sixteenth Notes A rhythmic development of the single stroke four that creates syncopation by altering the base rhythm.
Sticking For The Single Stroke 5 In this rudiment you play short burts of single stroke roll as four 16th notes and a quarter note.
Sticking For The Single Stroke 9 In this rudiment you play short burts of single stroke roll as eight 16th notes and a half note.
Sticking For The Single Stroke 9 In 6/8 Applying some different single stroke 9 stickings to the new time signature.
Sticking For The Single Stroke Seven In this rudiment you play short burts of single stroke roll as seven 16th notes played over sixteenth note triplets.
Sticking For The Single Stroke Triplet In 5/4 Applying this simple eight note triplet sticking within the new time signature.
Sticking For The Standard Paradiddle In 3/4 Applying this simple eight note triplet sticking within the new time signature.
Sticking For The Standard Triplet Sticking for this rudiment that uses a double stroke in an eighth note triplet to keep the leading hand playing on each quarter note.
Sticking For The Triple Paradiddle A variation on the standard paradiddle where more sets of single stroke are used.
Sticking For The Triple Stroke Roll A triplet sticking where three notes are played on each hand. Great for building stamina.
Sticking, An Introduction Sticking marks are used to specify the order hands are used in and can be essential when parts become more complicated. This lesson gives some notes on this topic.