Place accents at various points through a double paradiddle then orchestrate when constructing fills.
Construct a simple double paradiddle fill by throwing accents in on the first and third count of each group of six/
Using a fairly complex orchestration between both cymbals and toms to create an impressive sound fill.
Using a groove style pattern played between the ride and snare as a fill.
A half bar fill built from a simple orchestration
A relatively simple orchestration of the rudiment that requires control over dynamics between the hands.
Applying the rudiment orchestrations of the double paradiddle as simple fills.