16th Note '233' With Subdivided 32nd Notes Varying the accent placement of previous level 2 and 3 lessons to create a set of rhythmically interesting fills.
16th Note '233332' Rhythm With Sub Divided 32nds Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
16th Note '323' With Subdivided 32nd Notes Varying the accent placement of previous level 2 and 3 lessons to create a set of rhythmically interesting fills.
16th Note '332' With Subdivided 32nd Notes Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
16th Note '33332' Syncopated Fills In 7/8 Using set blocks of sixteenth notes to construct fairly simple fills in this time signature.
16th Note '33334' With Subdivided 32nd Notes Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
16th Note '334' Syncopated Fills In 5/8 Applying a pattern similar to the '332' rhythm to this time signature in a linear context.
16th Note '6666' Fills In 6/4 A fill construction idea based on a set syncopated grouping of sixteenth notes.
16th Note Linear '334' Style Fills Applying a pattern similar to the '332' rhythm to this time signature in a linear context.
16th Note Linear '334' Style Fills In 7/8 Applying a pattern similar to the '332' rhythm to this time signature in a linear context.
16th Note Syncopated '2332' Fills Using set blocks of sixteenth notes to construct fairly simple fills in this time signature.
16th Note Syncopated '433' Fills In 5/8 Using set blocks of sixteenth notes to construct fairly simple fills in this time signature.
16th Note Triplet Hand To Foot Fill Construction A fill construction idea based on using the hands and feet in a quick grouping of 3.
2 Beat Eighth Note Triplet Fills In 7/8 A 7/8 fill idea where two blocks of eighth note triplets are played at the end of the bar.
32nd Note 'RLLF' Fills With Orchestrated Right Hands Create fills by doubling the speed and orchestrating the right hand of the original 'R L L F' exercise.
4/4 Fills Cut Short A simple 7/8 fill construction method that involves taking fills from the familiar time signature of 4/4 and tweaking the length.
4/4 Syncopated 'R L L F R L' Fills Orchestrated Once Per Drum A syncopated 4/4 fill using a simple orchestration of the given sticking pattern.
4/4 Syncopated 'R L L F R L' Fills With Moving First Notes A syncopated 4/4 fill using a simple orchestration of the given sticking pattern.
5/8 Fills Built From A Sextuplet At The End Of The Bar A simple 5/8 fill placement idea where a block of sextuplets is placed at the end of the bar.