Moving Two Beat Fills In 6/4 More ideas for developing your fill construction in 6/4 by taking two beat fills and moving them around the bar.
Oddly Grouped Eighth Note Rolls In Phrases A list of four bar exercises with the oddly grouped roll applied in a practical setting.
One Bar 2 Feet - 4 Hands Fills Orchestrating another level 3 double kick fill building block that uses a syncopated grouping.
One Bar 2 Hands - 4 Feet Fills Orchestrating another level 3 double kick exercise that makes use of a syncopated grouping of six notes to construct simple one bar fills.
One Bar 2 Hands - Four Feet - 4 Hands - 2 Feet Fills Combine two fill building block ideas to create one more complicated one bar fill.
One Bar 4 Hands - 2 Feet - 2 Hands Four Feet Fills Combine two fill building block ideas to create one more complicated one bar fill.
One Bar 4 Hands - 2 Feet Fills Orchestrating a level 3 double kick exercise that makes use of a syncopated grouping of six notes to construct simple one bar fills.
One Bar Eighth Note Syncopated 233 Fills Constructing fills using simple syncopation within an eighth note pattern.
One Bar Eighth Note Syncopated 323 Fills Constructing fills using simple syncopation within an eighth note pattern.
One Bar Eighth Note Syncopated 332 Fills Constructing fills using simple syncopation within an eighth note pattern.
One Beat 16th Note Fills At The End Of A 5/4 Bar Applying this short fill concept first applied to 4/4 within this new time signature.
One Beat 16th Note Fills At The End Of A 5/4 Bar Starting A Quaver Early Extending one beat fills in 5/4 to create an interesting fill length.
One Beat Fills At The End Of A 3/4 Bar Applying this short fill concept first applied to 4/4 within this new time signature.
One Beat Fills At The End Of A 3/4 Bar Starting A Quaver Early Extending one beat fills in 3/4 to create an interesting fill length.
One Beat Fills At The End Of A Bar Of 7/4 Building one beat fills at the end of a bar of 7/4 using various concepts.